Showing posts with label preamplifier. Show all posts
Showing posts with label preamplifier. Show all posts

Wednesday, November 5, 2014

High Level Wideband RF Preamplifier

This High Level Wideband RF Preamplifier can be made in two ways: (1) with the aid of a linear active element, or (2) with a non-linear element operating with negative feed-back. This circuit is of the second kind, using an RF power transistor as the active element. Feedback is also required to ensure correct termination (50 Q) of the aerial, since bipolar transistors normally exhibit a low input impedance. Also, the noise figure is not increased because virtually no signal is lost.

High Level Wideband RF Preamplifier Circuit Diagram:

RF



The common-base amplifier is based on a UHF class A power transistor Type 2N5109 from Motorola. The feedback circuit is formed by RF transformer Th. The input and output impedance of the preamplifier is 50 4 for optimum perform-ance. Network R3-C5  may have to be added to  preclude oscillation outside the pass-band, which  ranges from about 100 kHz to 50 MHz. The gain is  approximately 9.5 dB, the noise figure is between 2  and 3 dB, and the third-order output intercept point  is at least 50 dBm.

The input/output transformer is wound on a Type FT37-75 ferrite core from Micrometals. The input winding is 1 turn, the output winding 5 turns with a tap at 3 turns.

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Tuesday, November 4, 2014

Simple Phono Preamplifier Circuit

in recent years, following CDs introduction, vinyl recordings are almost disappeared. Nevertheless, a phono preamplifier is still useful for listening old vinyl discs from a well preserved collection. This simple but efficient circuit devised for cheap moving-magnet cartridges, can be used in connection with the audio power amplifiers shown in these web pages, featuring low noise, good RIAA frequency response curve, low distortion and good high frequency transients behavior due to passive equalization in the 1 to 20 KHz range.

Phono Preamplifier Circuit diagram:
Preamplifier 
Parts:
R1 = 47K
R2 = 100R
R2 = 6.8K
R4 = 68K
R5 = 2.7K-1/2W
R6 = 2.7K-1/2W
R7 = 2.2K
R8 = 39K
C1 = 100uF-25V
C2 = 100uF-25V
C3 = 100uF-25V
C4 = 47nF-63V
C5 = 47nF-63V
D1 = BZX79C18
D2 = BZX79C18
Q1 = BC337
Q2 = BC327
J1 = RCA Jack
IC1 = LM833, Opamp

Notes:
  • R2, R3, R4, R7, R8, C4 & C5 should be low tolerance types.
  • Schematic shows left channel and power supply.
  • For stereo operation R1, R2, R3, R4, R7, R8; J1; C1, C4 & C5 must be doubled.
  • Numbers in parentheses show IC1 right channe

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Thursday, October 2, 2014

Modular Preamplifier Tone Control Bass and Treble Controls

Circuit diagram
Modular

Parts:

P1,P2___________10K Linear Potentiometers
(twin concentric-spindle dual gang for stereo)

R1_____________100K 1/4W Resistor
R2,R6___________18K 1/4W Resistors
R3_______________3K3 1/4W Resistor (18K for shelving curves: see Notes)
R4,R5____________1K8 1/4W Resistors (10K for shelving curves: see Notes)
R7_____________560R 1/4W Resistor

C1_______________1µF 63V Polyester Capacitor
C2_______________4n7 63V Polyester Capacitor (3n3 for shelving curves: see Notes)
C3_______________1µ5 63V Polyester Capacitor (100nF for shelving curves: see Notes)
C4,C7__________100nF 63V Polyester Capacitors
C5,C8___________22µF 25V Electrolytic Capacitors
C6,C9_________2200µF 25V Electrolytic Capacitors

IC1___________TL072 Dual BIFET Op-Amp
IC2___________78L15 15V 100mA Positive Regulator IC
IC3___________79L15 15V 100mA Negative Regulator IC

D1,D2________1N4002 200V 1A Diodes

SW1____________DPST Toggle Switch

J1,J2__________RCA audio input sockets
J3_____________Mini DC Power Socket

Comments:

Needing a Tone Control, this module can be inserted in the chain between the Control Center and the Power Amplifier.
The circuit is based on an original design of Reg Williamson, published on Electronics World + Wireless World, Circuit Ideas, January 1991.

This tone control circuit will take the form of either the traditional bass and treble adjustment or the shelving type, which is similar to a "tilt" control but with independent bass and treble.
Asymptotic slopes for both are about 4dB/octave, but begin to flatten out at 100Hz and 10kHz, reaching a maximum of ±15dB at the ends of the audio band.
Component values in parenthesis are those for the shelving type of control. In this case, the shelf begins at about 250Hz and 4kHz, flattening to a ±6dB maximum an octave above or below; the central point is 1kHz.
Reactive elements for the low end include a generalized impedance converter, which simulates an inductor in series with a resistor (gyrator).

When set to the electrical centers of their respective controls, the reactive elements of the equalizers are virtually out of circuit. With these settings, the circuit behaves as a unity gain amplifier with 100% negative feedback. Even so, reactive elements can be switched out altogether with a DPST on/off switch.

As with the other modules of this series, each electronic board can be fitted into a standard enclosure: Hammond extruded aluminum cases are well suited to host the boards of this preamp. In particular, the cases sized 16 x 10.3 x 5.3 cm or 22 x 10.3 x 5.3 cm have a very good look when stacked. See below an example of the possible arrangement of the front and rear panels of this module.

Notes:

  • To build the shelving type of control, use the values shown in parenthesis for R3, R4, R5, C2 and C3
  • The circuit diagram shows the Left channel only and the power supply.
  • Some parts are in common to both channels and must not be doubled. These parts are: P1 and P2 (if twin concentric-spindle dual gang potentiometers are used), IC2, IC3, C4, C5, C6, C7, C8, C9, D1, D2 and J3.
  • This module requires an external 15 - 18V ac (50mA minimum) Power Supply Adaptor.

Technical data:

Input sensitivity:
1V RMS for 1V RMS output
Maximum output voltage:
9.5V RMS into 10K load
Frequency response:
flat from 20Hz to 23KHz
Total harmonic distortion @ 1.5V RMS output:
100Hz = 0.004% 1KHz = 0.004% 10KHz = 0.002%
Total harmonic distortion @ 6V RMS output:
100Hz = 0.003% 1KHz = 0.003% 10KHz = 0.03%

More Detail you can see at  http://redcircuits.com/Page152.htm
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Friday, September 26, 2014

Ultra Simple Microphone Preamplifier

This little project came about as a result of a design job for a client. One of the items needed was a mic preamp, and the project didnt warrant a design such as the P66 preamp, since it is intended for basic PA only. Since mic preamps are needed by people for all manner of projects, this little board may be just whats needed for interfacing a balanced microphone with PC sound cards or other gear. Unlike most of my boards, this one is double-sided. I normally avoid double-sided PCBs for projects because rework by those inexperienced in working with them will almost certainly damage the board beyond repair.
I consider this not to be an issue with this preamp, because it is so simple. It is extremely difficult to make a mistake because of the simplicity. As you can see, the board uses a PCB mounted XLR connector and pot, so is a complete mic preamp, ready to go. Feel free to ignore the terminals marked SW1 (centred between the two electrolytic supply caps), as they are specific to my clients needs and are not useful for most applications. The original use was to use them for a push-button switch that activated an audio switch via a PIC micro-controller. They are not shown on the schematic.
 P12-pic

The DC, GND and output terminals may be hard wired to the board, you may use PCB pins or a 10-way IDC (Insulation Displacement Connector) and ribbon cable. Power can be anything between +/-9V and +/-18V with an NE5532 opamp. The mic input is electronically balanced, and noise is quite low if you use the suggested opamp. Gain range is from about 12dB to 37dB as shown. It can be increased by reducing the value of R6, but this should not be necessary. Because anti-log pots are not available, the gain control is not especially linear, but unfortunately in this respect there is almost no alternative and the same problem occurs with all mic preamps using a similar variable gain control system.
P12-f1

The circuit is quite conventional, and if 1% metal film resistors are used throughout it will have at least 40dB of common mode rejection with worst-case values. The input capacitors give a low frequency rolloff of -3dB at about 104Hz. If better low frequency response is required, these caps may be increased to 4.7uF or 10uF bipolar electrolytics. These will give response to well below 10Hz if you think youll ever need to go that low. The project PCB measures 77 x 24mm, and the mounting centers for the pot and XLR connector are spaced at 57mm. If preferred, a traditional chassis mounted female XLR can be used, and wired to the board with heavy tinned copper wire. The PCB pads for the connector are in the correct order for a female chassis mount socket mounted with the "Push" tab at the top.
source: www.sound.westhost.com
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